How To Download 20 Oz Tumbler Template
From offscreen friendships and jarring pay inequality to the special furnishings and makeup tricks that brought some of the earth'southward favorite film characters to life, The Sorcerer of Oz (1939) had and so much going on backside the emerald curtain and the Technicolor gloss of an amazing fantasy world.
In award of the 80th anniversary of the film, follow the yellow brick slideshow to peek backside that pall and learn more virtually the secrets and fun facts that make the dear picture a timeless classic.
Margaret Hamilton Was a Fan Before the Film
As a self-proclaimed lifelong fan of L. Frank Baum's Oz series, Margaret Hamilton was thrilled to exist considered for a role in the 1939 film adaptation. Hamilton called her amanuensis to enquire which character the producers wanted her to play, and her amanuensis famously said, "The witch — who else?"
Hamilton, a single female parent, fought MGM for an agreed upon amount of guaranteed work time. 3 days earlier filming began, the studio agreed to a five-week deal. In the cease, Hamilton was on set for three months, but many of her scenes were cutting for being too scary for audiences.
Sure, Dorothy Gale doesn't demand prosthetics or aluminum makeup, but that doesn't hateful Judy Garland wasn't put through the costume section wringer. Although she was young at the time, the 16-yr-erstwhile Garland had to wear a corset-like device and then she looked more than like a preadolescent child.
Manager Richard Thorpe suggested Garland vesture a blonde wig and loads of "baby-doll" makeup (as any preadolescent girl would…). Luckily, that vision of the graphic symbol inverse. After MGM fired Thorpe, the intermediate director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to be herself. Smart motion.
The "Skywriting" Scene Employed Some Not bad Flick Magic
The Wizard of Oz employs a lot of great film tricks, and some of the most unique were used in the skywriting scene. In it, the Wicked Witch (Margaret Hamilton) flies higher up the Emerald City, leaving the phrase "Surrender Dorothy" in her wake in black smoke.
Using a hypodermic needle, the special effects team spread black ink beyond the bottom of a drinking glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in reverse and filmed the scene from below. Initially, the skywriting ended with the ominous "Or Dice — W Westward W."
The "Snowfall" in the Poppy Field Was Really Unsafe
I of the Wicked Witch's last-ditch efforts to impede Dorothy's quest to meet the Wonderful Wizard of Oz involves a poppy field and some magical sleep-inducing snow. While many similar to joke that the poppies and their drowsiness are the result of opium (a component of poppies), the scene has a much more blatant toxic connexion than that.
All that magical snowfall? It's actually 100% industrial-grade chrysotile asbestos. Even though the wellness risks associated with the cloth were known at the time, it was yet Hollywood'due south preferred option for faux snow. Our communication to Dorothy? Don't catch any snowflakes on your tongue.
Scarecrow's Makeup Stuck Around for Awhile
In the end, Ray Bolger (Scarecrow) was probably grateful in more ways than one for Buddy Ebsen (the original Tin Man's) willingness to trade parts with him. The Tin can Human being's aluminum makeup acquired a huge corporeality of problems for Ebsen, who was replaced by Jack Haley.
Although Bolger's makeup experience was better than Ebsen's, he still had some issues. The Scarecrow's makeup consisted of a rubber prosthetic, consummate with a woven pattern that mimicked the wait of burlap. Later on the film wrapped, the prosthetic left patterns on Bolger's face that took more than than a year to fade.
Margaret Hamilton Was Burned On Set
In a flare-up of flames and red smoke, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, it may accept instilled more fright for Hamilton. On the first have, the smoke rose from a hidden trapdoor as well early.
For the 2nd take, Hamilton stood on the trapdoor as planned, but her cape snagged on the platform when the fire flared up. Her copper-containing makeup heated up instantly, causing second- and tertiary-degree burns on her hands and face up. To make matters worse, the crew tried to remedy her burns with (an even more painful) acetone solvent.
The Flying Monkeys Became Falling Monkeys
The Wicked Witch's legion of flight monkeys — or Winged Monkeys every bit they're called in the source material — have certainly been a source of terror for generations. Virtually equally scary as the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — thank you to the magic of pianoforte wires.
However, the aeriform stunt went awry when several of the piano wires snapped, sending actors plummeting a few anxiety to the soundstage floor. To create such a vast troupe of monkeys (and cutting down on human being marionettes), filmmakers fabricated miniature prophylactic monkeys to help populate the sky.
"Over the Rainbow" Was Almost on the Cut Room Floor
To no one's surprise, the American Film Institute ranked "Over the Rainbow" #ane on a listing of 100 Greatest Songs in American Films. But what may surprise you lot? The (arguably) nearly iconic song of Judy Garland'southward career was nearly cutting from the film.
Studio execs at MGM thought the song made the Kansas scenes too long. Moreover, filmmakers were concerned that children wouldn't understand the song's meaning. Luckily, this unfounded concern melted similar lemon drops. Unfortunately, Garland'south bawling reprise of the song was left on the cutting room flooring.
The Tin Human Costume Didn't Allow Jack Haley to Rest Easy
Although Bert Lahr had to schlep around in a 90-pound lion costume, Jack Haley didn't have it easy either. From the lingering concerns most the aluminum paste-based makeup on his confront and hands to the minimal flexibility of the "can" torso and artillery, Haley faced some challenges.
Reportedly, his costume was and then stiff that he had to lean against a board to rest properly. Many years later, role player Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the same consequence with his rigid costume. Information technology seems even fantasy and sci-fi can't help folks escape all their problems.
The Original Can Homo Was Rushed to the Hospital
Initially, Buddy Ebsen was cast as the Scarecrow, merely traded parts with Ray Bolger. Even so, Ebsen'due south new character, the Can Man, caused him a earth of bug. Namely, the character's silver makeup contained a harmful aluminum dust that coated Ebsen'south lungs.
To make matters worse, Ebsen had an allergic reaction, and, unable to breathe, he was rushed to the hospital. MGM recast the role with Jack Haley (and changed up the makeup), simply didn't explain why Ebsen "dropped out." Although Ebsen didn't appear in the last film, his vocals can be heard in "We're Off to See the Sorcerer."
A Stocking & Some Miniatures Gave U.s.a. the Tornado
The tornado that strikes the Gale homestead is full of practical special effects that really hold up. The funnel itself was actually a 35-human foot long stocking made of muslin. The special effects team spun it around miniatures that resembled the farms and fields of Kansas. Against the painted backdrop, the tornado looks menacing.
The Gale firm, which falls from the sky and into Oz, is but a miniature business firm that was dropped onto a sky painting. Filmmakers then reversed the footage to go far expect similar the firm was falling out of the clouds.
Hollywood Didn't Pay Upwardly And so Either
Pay inequality has always been an effect in Hollywood. For example, Adriana Caselotti, vocalization of the titular character in Walt Disney's Snow White and the Seven Dwarfs (1937), made $970 for her functioning. The moving-picture show went on to make roughly $eight million.
According to the Los Angeles Times, Judy Garland's pay was better than Caselotti's — playing Dorothy earned her $500 a week — but it still didn't reflect the picture's success. Even more discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $fifty per week. (Meanwhile, Terry the dog earned $125 per week as Toto. A existent yikes.)
Bert Lahr's Lion Costume Was Taxing
Originally, MGM thought it might cast its mascot — the actual lion used in the studio'south title carte — as the cowardly graphic symbol. Fortunately, for the safety of the actors and the animal, the filmmakers decided to cast actor Bert Lahr as the anthropomorphic graphic symbol instead.
To make a convincing creature, the costume department fashioned Lahr a 90-pound outfit made from real lion skin. However, the arc lights used on set made things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his character's nerves. Each night, two stagehands dried the costume for the next day.
The Initial Box Office Returns Were Uneven
The flick started shooting in October of 1938 merely didn't wrap until March of 1939, racking upward an unheard of $2,777,000 in costs. That's about $50 million adjusted for inflation. Upon its initial release, the movie just earned $3 million at the box part — about $51.eight million by today's standards.
Although that seems impressive for a Low-era moving picture, remember that Disney made $8 million with Snow White and the Seven Dwarfs (1937). The Magician of Oz'southward modest success in the U.S. barely covered production and film rights' costs — MGM paid $75,000 to the publisher for those — but success overseas fortunately bolstered the film's returns.
The Night Side of Oz in a Fourth dimension Earlier "Me Too"
Judy Garland was just sixteen years onetime when she was cast every bit Dorothy. Insecure and lonesome, she became fond to amphetamines and barbiturates, which were ofttimes given to young actors to help them slumber subsequently studios shot them up with adrenaline so they could work long hours.
The spotlight — and her dissentious contract with MGM — didn't help, leading to her lifelong struggles with an eating disorder and alcoholism. According to a writer for Express, "[Garland] was molested past older men, including studio chiefs [and head Louis B. Mayer], who considered her piffling more than than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy diet of cigarettes, java and chicken soup.
The Vocalization of Snow White Had a Cameo
A few years before The Wizard of Oz debuted, Walt Disney's characteristic-length animated motion-picture show Snow White and the 7 Dwarfs (1937) became a smash-hit. Not only did the picture show revolutionize the animation industry, information technology too reinvigorated the fantasy genre.
Disney wanted to follow up Snow White — so the most successful picture show of all time — with an adaptation of The Wizard of Oz, but MGM owned the rights. By happenstance, Adriana Caselotti, who voiced Snowfall White, had an uncredited function in Oz. During the Tin can Man'south "If I Only Had a Eye," Caselotti speaks her sole line, "Wherefore art grand Romeo?"
The Ruby Slippers Are Props & Treasured Artifacts
Keeping in line with the volume, Dorothy's iconic footwear was originally silver, only screenwriter Noel Langley felt the ruby color would actually pop in glorious Technicolor. Designed by MGM's chief costume designer Gilbert Adrian, the shoes are each covered in about 2,300 sequins.
One of the remaining pairs is on view in the Smithsonian Institution'due south National Museum of American History. Since the brandish is and then heavily trafficked, the museum has replaced the carpet at that place several times. Another pair were stolen from Minnesota's Judy Garland Museum in 2005, but the FBI recovered the slippers for the institution in 2018.
Only I Sequence Was Filmed "On Location"
The Wizard of Oz is your classic adventure story, and Dorothy'southward quest leads her from a Kansas farm to another world — complete with corn fields, poppy-filled meadows and forests. However, despite all these scenic locations, almost all the scenes were shot on a soundstage.
As was customary at the time, immense, detailed backdrops were painted by studio artists, making information technology possible for filmmakers to ship audiences to far away places without filming on location. In fact, the only location footage in the pic is the opening title sequence — those clouds are 100% the real bargain.
A 2d Toto Was Brought In
Toto, played primarily past Terry, is i of the most dearest dogs in film history. Terry was famously non a huge fan of special effects and can often be seen running out of a shot when something loud or alarming happens — like when the Tin can Man spouts out all of that steam.
Afterwards one of the Witch's guards accidentally stepped on her, Terry was on bedrest for two weeks. Filmmakers went through two doubles to detect one that resembled the original canine actor more than closely.
Fun fact: Judy Garland was then addicted of Terry that she wanted to adopt the dog.
Margaret Hamilton "Mourns the Wicked" Witch
In improver to existence a huge fan of the Oz books, Margaret Hamilton also believed her character was more than than but your run-of-the-factory evil villain. More than than 35 years later the picture show debuted, Hamilton, donning her Witch'southward costume to show kids it was make-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her nearly the graphic symbol.
According to Hamilton, the and so-chosen Wicked Witch relished everything she did, simply she was likewise a deplorable, lonely effigy. In short, things never went well for the frustrated Witch. Oddly enough, the Broadway musical Wicked likewise takes this approach to the Witch'due south grapheme.
The "Equus caballus of a Different Color" Was Made Possible Thanks to a Food Product
In 1939, audiences were simply as amazed as Dorothy, Scarecrow, Can Homo and the Cowardly Lion when the equus caballus in Emerald Urban center took on a rainbow of colors. This "horse of a different color" was made possible thanks to a surprising food item…
Jell-O crystals were used to color the horses, which meant filmmakers had to move quickly — the animals were eager to lick up the sweetness treat. Merely the colorful steed isn't the only interesting component in this fan-favorite scene. The horse-drawn carriage was once endemic by President Abraham Lincoln and now resides at the Judy Garland Museum.
The Makeup Department Hired on Actress Hands
From the citizens of Munchkinland and Emerald City to the Witch's flying monkeys, so many actors had to undergo a makeup transformation in lodge to give life to this fantasy motion-picture show. To keep up with the daily demands, MGM chosen upon workers from the studio mailroom and courier service to manage makeup stations.
Since most of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming assembly line. Most actors had to get in before five:00 in the morning time — six days a week! — to begin the intensive process.
Memorable (& Often Misquoted) Lines Fill the Film
The film is chock-full of iconic, memorable songs, and it has the great fortune of being responsible for some of the most quoted lines in motion-picture show history besides. In 2007, Premiere compiled a listing of "The 100 Greatest Movie Lines" and placed a whopping 3 of the motion-picture show'due south lines on the list.
"Pay no attention to that man behind the mantle" was voted #24, while "At that place'due south no place similar abode" nabbed the 11th spot. Finally, the oftentimes misquoted "Toto, I have a feeling we're not in Kansas anymore" landed in the 62nd spot.
The Witch'south Fire Employed Some Technical Wizardry (& Juice)
Clearly, the technical wizardry — or witchcraft — in the motion-picture show is incredible. Like the "horse of a unlike color" sequence, another iconic, special effects-heavy scene harnessed the power of everyday household items to pull off fun tricks.
Shortly after Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the ruby slippers from the immature girl's feet. Still, fire strikes the Witch's hands, repelling her. This "fire" is really apple juice spouting from the slippers in a sped-up clip to brand information technology look more flame-like.
Technicolor Required Some Ingenuity in the Props Department
Experimenting with Technicolor was part fun and office problem-solving for filmmakers. In club to properly capture scenes with the Technicolor camera, the soundstage needed to be lit with arc lights, which often heated the set upward to a toasty 100 degrees.
After the lights were set, the experts experimented with what would wait all-time on film, particularly in colorized grade. For example, the white office of Dorothy'south dress is really pinkish — only considering it filmed better. And the oil the Tin Man is so excited about? It'south actually chocolate syrup.
The Wicked Witch of the E Makes More One Appearance
Role of the Wicked Witch of the West's beef with Dorothy is that the young girl dropped a house on her sis, the Wicked Witch of the East, who was the short-lived owner of the reddish slippers. Although Margaret Hamilton already plays both the Wicked Witch of the West and her Kansas counterpart Almira Gulch, she as well plays the Wicked Witch of the East — if only briefly.
During the tornado sequence, an addled Dorothy looks out her bedroom window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the ruby-red slippers. The restored version of the film makes that shimmer even more than noticeable.
The Picture's Running Time Was Cutting Downwardly Several Times
The outset cutting of the motion-picture show clocked in at a running time of 120 minutes. Although that seems like naught past today's Marvel movie standards, producer Mervyn LeRoy felt it was long and unwieldy and wanted to chop off twenty minutes.
Afterward cutting the famed "Jitterbug" number (top right) and an extended Scarecrow trip the light fantastic toe sequence, the flick was 112 minutes long. LeRoy held a second preview screening, and, subsequently, nixed Dorothy'southward "Over the Rainbow" reprise, an Emerald City reprise of "Ding! Dong! The Witch Is Dead," a scene where the Can Homo becomes a homo beehive (Yikes!) and a few Kansas sequences.
So Much for a "Wicked" Witch
Filmmakers deemed Margaret Hamilton'southward Wicked Witch of the West operation likewise frightening for audiences and cutting or trimmed many of her scenes. Only not anybody thought her performance was terrifying — namely Judy Garland, who played the Wicked Witch's nemesis, Dorothy Gale.
Off-screen, the picture show's starring foes were actually friends. One story that emerged from the set described Garland excitedly showing off a wearing apparel to Hamilton, declaring she was going to wear information technology for her graduation. Unfortunately, MGM's Louis B. Mayer sent Garland on a press tour the twenty-four hour period of her graduation. Upset, Hamilton phoned Mayer and chewed him out.
Giving Credit to Technicolor
In the opening credits, the text reads "Photographed in Technicolor," as opposed to the more than apt "Colour Sequences past Technicolor." The phrasing of the credits makes information technology seem as though the entire film was shot in color. Was this washed deliberately, or was information technology a minor syntactical faux pas?
Information technology'south widely believed this was a chip of a stunt washed to enhance the surprise of the picture turning into full three-strip Technicolor when Dorothy arrives in Oz. Posters made at the fourth dimension of the film's debut made no mention of sepia tint (or "black-and-white"), adding credence to this theory.
One of History's Most-Watched Films
Although The Wizard of Oz proved popular in theaters, another movie released the same yr, besides directed by Victor Fleming, actually topped the box role. (Yous may have heard of that little movie — it's called Gone with the Wind.) Withal, MGM's musical fantasy may have more staying power than other films of the era, thanks in office to re-releases.
The movie was get-go broadcast on tv on November 3, 1956, and garnered an impressive 44 million viewers. It's believed that The Wizard of Oz is one of the 10 nearly-watched feature-length movies in film history, largely due to the number of annual television screenings, theater viewings and various format re-releases.
Source: https://www.ask.com/entertainment/wizard-of-oz-facts?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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